{"id":1446,"date":"2022-09-23T14:15:29","date_gmt":"2022-09-23T14:15:29","guid":{"rendered":"https:\/\/taylor-pr.com\/?p=1446"},"modified":"2024-04-03T00:34:20","modified_gmt":"2024-04-03T00:34:20","slug":"museum-of-no-spectators-commands-community-participation","status":"publish","type":"post","link":"https:\/\/taylor-pr.com\/museum-of-no-spectators-commands-community-participation\/","title":{"rendered":"\u2018Museum of No Spectators\u2019 Commands Community Participation"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"1446\" class=\"elementor elementor-1446\" data-elementor-post-type=\"post\">\n\t\t\t\t<div class=\"elementor-element elementor-element-0607025 e-flex e-con-boxed e-con e-parent\" data-id=\"0607025\" data-element_type=\"container\" data-core-v316-plus=\"true\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-2667b2a elementor-widget elementor-widget-text-editor\" data-id=\"2667b2a\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.20.0 - 26-03-2024 *\/\n.elementor-widget-text-editor.elementor-drop-cap-view-stacked .elementor-drop-cap{background-color:#69727d;color:#fff}.elementor-widget-text-editor.elementor-drop-cap-view-framed .elementor-drop-cap{color:#69727d;border:3px solid;background-color:transparent}.elementor-widget-text-editor:not(.elementor-drop-cap-view-default) .elementor-drop-cap{margin-top:8px}.elementor-widget-text-editor:not(.elementor-drop-cap-view-default) .elementor-drop-cap-letter{width:1em;height:1em}.elementor-widget-text-editor .elementor-drop-cap{float:left;text-align:center;line-height:1;font-size:50px}.elementor-widget-text-editor .elementor-drop-cap-letter{display:inline-block}<\/style>\t\t\t\t<p><em>Pop-Up Exhibition Space Upends Traditional Artist-Viewer Dynamic<\/em><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-8ee6300 elementor-widget elementor-widget-image\" data-id=\"8ee6300\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.20.0 - 26-03-2024 *\/\n.elementor-widget-image{text-align:center}.elementor-widget-image a{display:inline-block}.elementor-widget-image a img[src$=\".svg\"]{width:48px}.elementor-widget-image img{vertical-align:middle;display:inline-block}<\/style>\t\t\t\t\t\t\t\t\t\t<img fetchpriority=\"high\" decoding=\"async\" width=\"800\" height=\"275\" src=\"https:\/\/taylor-pr.com\/wp-content\/uploads\/2022\/09\/36_\u2018Museum-of-No-Spectators_image-strip-1024x352.jpg\" class=\"attachment-large size-large wp-image-1450\" alt=\"\" srcset=\"https:\/\/taylor-pr.com\/wp-content\/uploads\/2022\/09\/36_\u2018Museum-of-No-Spectators_image-strip-1024x352.jpg 1024w, https:\/\/taylor-pr.com\/wp-content\/uploads\/2022\/09\/36_\u2018Museum-of-No-Spectators_image-strip-300x103.jpg 300w, https:\/\/taylor-pr.com\/wp-content\/uploads\/2022\/09\/36_\u2018Museum-of-No-Spectators_image-strip-768x264.jpg 768w, https:\/\/taylor-pr.com\/wp-content\/uploads\/2022\/09\/36_\u2018Museum-of-No-Spectators_image-strip-1536x528.jpg 1536w, https:\/\/taylor-pr.com\/wp-content\/uploads\/2022\/09\/36_\u2018Museum-of-No-Spectators_image-strip-2048x705.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-fbe4be6 elementor-widget elementor-widget-text-editor\" data-id=\"fbe4be6\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p><em>Photos: John Marx. <a class=\"DAP0T CATC8\" href=\"https:\/\/photos.app.goo.gl\/apB1MDm5MjJbLiAZ6\" target=\"_blank\" rel=\"noopener\" data-hook=\"WebLink\">Click here for high-resolution images<\/a>.<\/em><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-551b97b e-flex e-con-boxed e-con e-parent\" data-id=\"551b97b\" data-element_type=\"container\" data-core-v316-plus=\"true\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-6624346a elementor-widget elementor-widget-text-editor\" data-id=\"6624346a\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div data-breakout=\"normal\"><p id=\"viewer-c8t7j\" class=\"H0BMW qw9d2 _5TXqj t077n _39sR0\"><span class=\"GkipB\">BLACK ROCK CITY, NV: The Museum of No Spectators (MoNS) was on full display recently at Burning Man 2022. MoNS challenges the notion of the museum as a temple of great masterworks by encouraging people to participate playfully with the idea of what museums mean. MoNS turns the concept around and creates a fully participatory, highly interactive, and radically inclusive container where all become exhibiting artists as they place their works on the walls\u2014or even use the interior and exterior walls as a canvas.<\/span><\/p><\/div><div data-breakout=\"normal\"><p id=\"viewer-f1hdk\" class=\"H0BMW qw9d2 _5TXqj t077n _39sR0\"><span class=\"GkipB\">\u201cMuseums are not neutral spaces,\u201d contends John Marx, AIA, the lead architect on the project. \u201cMuseums are often perceived as elitist and exclusive. Exceptional and powerful work that has a profound resonance with society is being created outside the museum-industrial complex every day.\u201d<\/span><\/p><\/div><div data-breakout=\"normal\"><p id=\"viewer-16nbm\" class=\"H0BMW qw9d2 _5TXqj t077n _39sR0\"><span class=\"GkipB\">A collaborative project by Marx, artist Absinthia Vermut, curator\/director of cultural inclusion Lonnie Graham, builder\/welder Wes Skinner, project manager James Monday, and gifting shop director Paul Delathauwer\u2014along with 120 volunteer tradespeople, artists, and artisans, of whom 53% are BIPOC artists\u2014MoNS aims to redefine the perception of what constitutes \u201cart\u201d through participatory engagement. \u201cFull Burning Man attendance in 2019 was 17% BIPOC,\u201d notes Marx. \u201cThrough our efforts, we made this project truly inclusive.\u201d<\/span><\/p><\/div><div data-breakout=\"normal\"><p id=\"viewer-5de98\" class=\"H0BMW qw9d2 _5TXqj t077n _39sR0\"><span class=\"GkipB\">At MoNS, would-be spectators are transformed into full participants. \u201cWalking through a traditional museum looking at someone else\u2019s art is the definition of spectating,\u201d says Vermut.<\/span><\/p><\/div><div data-breakout=\"normal\"><p id=\"viewer-7og0b\" class=\"H0BMW qw9d2 _5TXqj t077n _39sR0\"><span class=\"GkipB\">The 1,400-square-foot structure built of 17,000 pounds of tube steel framing and aluminum panels emerged from the desert after 10 days of building by a team of 40 volunteers. \u201cThe passion of the people who built it, combined with the artists\u2019 soulful work, made this a genuinely deeply moving experience,\u201d notes Marx, himself an artist and poet in addition to an architect.<\/span><\/p><\/div><div data-breakout=\"normal\"><p id=\"viewer-6jmd2\" class=\"H0BMW qw9d2 _5TXqj t077n _39sR0\"><span class=\"GkipB\">The building was designed with intrigue, with its unusually shaped galleries appearing both machine- and creature-like. The trapezoidal wings embrace visitors to the open-air structure, while the large exterior and interior walls become literal canvases for creation.<\/span><\/p><\/div><div data-breakout=\"normal\"><p id=\"viewer-8ps9s\" class=\"H0BMW qw9d2 _5TXqj t077n _39sR0\"><span class=\"GkipB\">Comprising nine chambers, MoNS turns museum planning on end, as visitors enter through the gifting shop. There, they are encouraged to make a gift before proceeding into the main museum. Artists-in-residence recruited by Graham and Delathauwer facilitated, inspired, and taught participants how to make gifts with available art supplies. The shop gifted 5,000 post cards, 1,000 stickers, and 500 pieces of jewelry.<\/span><\/p><\/div><div data-breakout=\"normal\"><p id=\"viewer-fduq3\" class=\"H0BMW qw9d2 _5TXqj t077n _39sR0\"><span class=\"GkipB\">Artists then flowed through eight galleries adding their art in an uncurated, revolving exhibition of self-expression. Throughout the event, some 60 artists of 14 nationalities posted around 100 artworks. Each gallery is dedicated to a different theme\u2014Social Justice: Truth, Lies, and Reconciliation; Snark: Tell It Like It Is\u2014With a Wry Smile; Sparkle Pony: Whimsy, Love, and Joy; Wisdom: Paradox, Balance, and Transcendence; Discovery\/Identity\/Epiphany: Emergence and Transformation; Into the Darkness: Mystery and Vortex; The Future: Community, Kindness, and Forgiveness; Earth and Sustainability: The Ethereal Landscape.<\/span><\/p><\/div><div data-breakout=\"normal\"><p id=\"viewer-ol4f\" class=\"H0BMW qw9d2 _5TXqj t077n _39sR0\"><span class=\"GkipB\">\u201cThere are many misconceptions about why people go to Burning Man and what they do there,\u201d notes Marx. \u201cFrom my experience, Burning Man serves to teach us about community and kindness through participatory art.\u201d MoNS will return to the Playa for Burning Man 2023.<\/span><\/p><\/div><div data-breakout=\"normal\"><h3 id=\"viewer-bhb8k\" class=\"H0BMW qw9d2 _5TXqj t077n _39sR0\"><span class=\"GkipB\">About John Marx, AIA\u2014architect, co-lead artist<\/span><\/h3><\/div><div data-hook=\"rcv-block24\">John Marx, AIA, is Chief Artistic Officer of San Francisco-based Form4 Architecture, responsible for developing the firm\u2019s design vision and language. He advocates philosophy, art, and poetry in the thoughtful making of place through the compelling power of form, aware that architecture is a balancing act between self-expression and collaboration. Marx is the author of \u00c9tudes: The Poetry of Dreams + Other Fragments, a compilation of his watercolors and poetry, as well as The Absurdity of Beauty, a treatise on 2nd-Century Modernism. He earned his Bachelor of Science degree in Architecture Studies from the University of Illinois at Urbana-Champaign.<\/div><div data-breakout=\"normal\"><h3 id=\"viewer-aod41\" class=\"H0BMW qw9d2 _5TXqj t077n _39sR0\"><span class=\"GkipB\">About Absinthia Vermut\u2014co-lead artist<\/span><\/h3><\/div><div data-breakout=\"normal\"><p id=\"viewer-1g46j\" class=\"H0BMW qw9d2 _5TXqj t077n _39sR0\"><span class=\"GkipB\">Absinthia Vermut is an artist, businesswoman, and entrepreneur with a passion for making things. She is CEO and Founder of Absinthia\u2019s Bottled Spirits, makers of the woman-made and distilled award-winning Absinthia Organic Absinthe. She is Co-Founder and COO of Nickel Dime, makers of four award-winning cocktail syrups. Absinthia\u2019s Bottled Spirits is certified as a WBENC (woman owned business). Vermut earned her Bachelor of Fine Arts from New York University and her MBA from Babson College, Wellesley, MA.<\/span><\/p><\/div><div data-breakout=\"normal\"><h3 id=\"viewer-5bqf7\" class=\"H0BMW qw9d2 _5TXqj t077n _39sR0\"><span class=\"GkipB\">About Lonnie Graham\u2014curator\/director of cultural inclusion<\/span><\/h3><\/div><div data-breakout=\"normal\"><p id=\"viewer-72v8p\" class=\"H0BMW qw9d2 _5TXqj t077n _39sR0\"><span class=\"GkipB\">Lonnie Graham is an artist, photographer, and cultural activist whose work addresses the integral role of the artist in society and seeks to re-establish artists as creative problem-solvers. He is a Pew Fellow and professor at Pennsylvania State University. Graham is formerly Acting Associate Director of the Fabric Workshop and Museum in Philadelphia, and served as Director of Photography at Manchester Craftsmen\u2019s Guild in Pittsburgh, an organization dedicated to arts and education for at-risk youth.<\/span><\/p><\/div><div data-breakout=\"normal\"><h3 id=\"viewer-3lkp0\" class=\"H0BMW qw9d2 _5TXqj t077n _39sR0\"><span class=\"GkipB\">About Wes Skinner\u2014builder\/welder<\/span><\/h3><\/div><div data-breakout=\"normal\"><p id=\"viewer-90d41\" class=\"H0BMW qw9d2 _5TXqj t077n _39sR0\"><span class=\"GkipB\">Wes Skinner, the founder of Yzzo Studios, is a San Francisco-area artist and metal fabricator. With several years of professional metal fabrication experience under his belt, his specialty is artistic and architectural metalwork. Skinner got his start building small sculptures out of car parts, and then by working on large-scale metal art installations with the Flux Foundation and several other art collectives. This led to him leaving a career in marketing and advertising to pursue metalworking full time.<\/span><\/p><\/div><div data-breakout=\"normal\"><h3 id=\"viewer-44uho\" class=\"H0BMW qw9d2 _5TXqj t077n _39sR0\"><span class=\"GkipB\">About James Monday\u2014project manager<\/span><\/h3><\/div><div data-breakout=\"normal\"><p id=\"viewer-1fu01\" class=\"H0BMW qw9d2 _5TXqj t077n _39sR0\"><span class=\"GkipB\">James Monday founded trapezum! architects in 1984, and has designed and managed complex residential, commercial, and institutional projects. His recent work focuses on private-sector projects for the development and implementation of farm-worker housing in California; rebuilding schools and developing a World Heritage Site Master Plan for Jacmel, Haiti; and developing a prototype for urgent-care mobile modular medical clinics. He views architecture as an investigative process to expose the essential determinants of a problem\u2014whether it is the design of a book, a children\u2019s toy, a lighting fixture, a piece of furniture, or a building.<\/span><\/p><\/div><div data-breakout=\"normal\"><h3 id=\"viewer-ekmif\" class=\"H0BMW qw9d2 _5TXqj t077n _39sR0\"><span class=\"GkipB\">About Paul Delathauwer\u2014gifting shop director<\/span><\/h3><\/div><div data-breakout=\"normal\"><p id=\"viewer-32s0f\" class=\"H0BMW qw9d2 _5TXqj t077n _39sR0\"><span class=\"GkipB\">Paul Delathauwer attended Arizona State University, studying industrial design, sculpture, and diverse disciplines in fine arts and crafts. In 2016 he attended his first Burning Man, which was a transformative experience, and the next year launched his first line of pendants as gifts. Paul\u2019s method of work involves both 3D and traditional goldsmithing techniques of jewelry making. <\/span><\/p><\/div>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Pop-Up Exhibition Space Upends Traditional Artist-Viewer Dynamic<\/p>\n","protected":false},"author":1,"featured_media":1448,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"content-type":"","footnotes":""},"categories":[12],"tags":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.3 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>\u2018Museum of No Spectators\u2019 Commands Community Participation | Taylor &amp; Co.<\/title>\n<meta name=\"description\" content=\"\u2018Museum of No Spectators\u2019 Commands Community Participation\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, 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